Heavy Duty

2021
modified steel c-clamps, seasonal fruits, cigarette (variable by display)

Horny Gate, Text by Graham Feyl 

Online presentation on Viral Ecologies

(...) “The piece is a pair of wrought iron spikes; modified c-clamps fasten down on a surface, and the spikes rise from this support system. They reflect the bars of gates (who is let in? who is being kept out?). The spikes pierce pieces of fruit: blackberries, cherries and oranges become sort of severed heads on the ends of the prongs. These transplanted wrought iron bars – their slightly limp wristed points caress the sky – stand tall while the juices of the fruit drip down their shafts. The gates submit to the fruit; what has been used to create a barrier - and the c-clamps that could easily crush something between their metal mouths – become simple holders for fruit and the creatures that feast on them.” (...)
Graham Feyl

(...)“I started working on a series of metal sculptures under the title of Heavy Duty in summer 2021. This ongoing body of work is inspired by wrought iron garden gates and critter  feeders. First iteration of the project was exhibited at the Bird Show, a project space organized by Erin Toale in July 2021. Graham Feyl wrote a reflection text about the show and the sculptures, which turned into a pdf publication along with the documentation of the pieces. For Viral Ecologies, I have updated this publication and included the newest member of the series; Heavy Duty (Domonique as Summer). Just before I left Chicago I had the chance to visit “Dancing in Real Life”, the retrospective exhibition of Yannis Tsarouchis at Wrightwood 659. A  young man from Chartres, Dominique, who is also a poet, a painter, a musician, was one of Tsarouchis’ muses. Dominique modeled for him for multiple projects. In 1975 Tsarouchis painted portraits of Dominique modeling as seasons. In the portrait of summer Dominique  holds (offers) a piece of fruit on one hand and on the other he holds a sickle.  Heavy Duty (Domonique as Summer) recreates this moment and portrays a day in late summer. Fall is approaching, your motives are slowly shifting towards eudaimonia but hedonia still outweighs.”
Faysal Altunbozar